This timeline highlights women artists from Kentucky with a goal to position them alongside nationally recognized feminist figures and events. The timeline can be viewed in 2d or 3d mode by clicking the button at the bottom left. To navigate in either mode, the user can hover over the timeline itself and scroll, or drag the bar that runs along the bottom. The key at the top left is there to inform the user about how the timeline is organized and so the user can identify what category an event is placed in. Enjoy!
Kentucky Women Artists Feminist Timeline
A feminist art and activist timeline sponsored by the Kentucky Foundation for Women.

1848
African Methodist Episcopal Church General Conference: Philadelphia, PA
Women congregants petitioned for preaching licenses asserting that women in leadership roles advocating for women’s rights, including the right to vote, would benefit not only the AME Church but society as a whole.
July 1848
First Women’s Rights Convention
The first women’s rights convention held in Seneca Falls over July 19-20, 1848.
July 21, 1896
National Association of Colored Women
The National Association of Colored Women is formed at the First Annual Convention of the National Federation of Afro-American Women in Washington, D.C. on July 21, 1896.
1898
Enid Yandell becomes the first woman to join National Sculpture Society
Enid Yandell made her mark in the male-dominated field of sculpture by being the first woman to join the National Sculpture Society. Yandell was a Louisville native and had an astonishing career completing work in Kentucky, as well as all around the world.
October 16, 1916
Margaret Sanger opens the first U.S. birth control clinic in Brooklyn, NY.
Margaret Sanger opens the first U.S. birth control clinic in Brooklyn, NY.
July 4, 1917
Maude Ainslie’s work is exhibited at the Provincetown Art Association
The third annual Provincetown Art Association exhibition showcases Ainslie’s work. Ainslie was a very talented landscape painter and a native of Louisville, KY.
1929
Fayette Barnum is director of Louisville Art Center
Formerly known as the Handicraft Guild and created in 1914, the Louisville Art Center offered art classes to the community.
1935
Dorothea Lange starts photographing the Great Depression
From roughly 1935-1940, Lange documented rural families and migrant laborers affected by widespread poverty.
1935
National Council of Negro Women
Mary McLeod Bethune organizes the National Council of Negro Women with a mission to “lead, advocate for, and empower women of African descent, their families, and communities.”
March 28, 1937
Carrie Douglas Dudley Ewen showcases “The Green Coat” at the Fifteenth Biennial Exhibition of Contemporary American Oil Paintings
“The Green Coat” was a self portrait by Ewen and was shown at the Corcoran Gallery of Art in Washington D.C. Ewen was known for her illustrations that gained commercial success in the world of greeting cards and children’s books. Ewen worked professionally under the name “Douglas Ewen”, a male name, in order to be paid fairly for her work.
1945
Jean Ritchie has her first public performance
Born in Viper, KY and a University of Kentucky alum, Ritchie has contributed a significant amount to traditional American music.
March 1, 1949
A solo exhibition of Lucy Diecks’ work is held at Memorial Auditorium
Diecks was born and raised in Louisville and was extremely active in the local art community. She worked mainly with oil and watercolor paints, but also sculpted and made jewelry.
1950
Gwendolyn Brooks wins Pulitzer Prize in poetry
Brooks is the first African American woman to win a Pulitzer Prize for her book of poetry Annie Allen.
January 7, 1955
Marian Anderson performs at the Metropolitan Opera
Anderson is the first African American singer to perform here.
October 1, 1955
Daughters of Bilitis
The first lesbian organization in the U.S. is formed in San Francisco as an alternative to lesbian bars.
December 1, 1955
Rosa Parks refuses to give up her seat on an Alabama bus
Parks’ refusal to move to the back of the bus and her arrest spurs the Montgomery Bus Boycott.
May 9, 1960
Birth Control Pills become FDA approved
Because of the social controversies of the birth control pill, it took the FDA seven months to approve the pill. Even then, it was only approved for short-term use.
December 14, 1961
President’s Commission on the Status of Women
President Kennedy establishes the President’s Commission on the Status of Women to investigate opportunities regarding equality in education, the workplace, and in law. Eleanor Roosevelt is appointed as Chairwoman.
February 19, 1963
The Feminine Mystique is published
Written by Betty Friedan, The Feminine Mystique has been credited with setting off the start of second-wave feminism. The book focuses on the dissatisfaction some women feel from being pinned into the category of housewife or mother.
June 10, 1963
Equal Pay Act
Congress passed the Equal Pay Act with the end goal to fight wage discrimination based on sex in the workplace. Today on average, women still earn less than men and race affects these numbers even more.
January 27, 1964
Margaret Chase Smith is first woman to earn a US presidential nomination
Smith was a Maine Republican Senator and despite never winning a primary election, she was the first woman to receive nomination at a major political party’s convention.
July 2, 1964
Title VII of the Civil Rights Act is enacted
This law was created to protect employees from being discriminated based on race and sex.
April 2, 1965
Women Artists of America, 1707-1964, opens at Newark Museum
June 30, 1966
The National Organization for Women
The National Organization for Women was created to try and end sex discrimination. Betty Friedan was elected as the organization’s first president.
August 1, 1967
New York Radical Women’s group forms
The New York Radical Women’s group formed as an influential feminist political organization that pioneers “consciousness raising” methods to promote the women’s movement.
October 16, 1967
Executive Order 11375
President Johnson’s Executive Order 11375 outlaws employment discrimination based on sex by the federal government. This Executive Order added the category of “sex” to a previous anti-discrimination order he had enacted in 1965.
1968
Adrian Piper begins exhibiting her work as a conceptual artist
1968
Women’s Equity Action League (WEAL) is established
WEAL is created as an alternative to the National Organization for Women (NOW) and did not support any radical or controversial views like abortion or sexuality.
1968
Valerie Solanas self publishes S.C.U.M. (Society for Cutting Up Men) Manifesto
S.C.U.M. is a radical critique of the patriarchy and has gone under multiple titles in various publications. The book was not well-known until 1968 when Solanas attempted to kill Andy Warhol. While many feminists defended Solanas’ views, Betty Friedan considered her ideology too radical and therefore divisive.
September 7, 1968
New York Radical Women protest Miss America contest
The New York Radical Women’s group argued that Miss America pageant is based in misogyny and further is a comment on how women are treated in America as a whole.
February 1, 1969
Redstockings forms
Redstockings is a radical feminist group formed after the breakup of New York Radical Women to raise consciousness about sexism and abortion.
June 27, 1969
Stonewall Riots
Police persecution and raids were all-to-common at LGBTQ+ bars, but one police raid at the Stonewall Inn in NY sparked the beginnings of the Gay Rights Movement.
October 13, 1969
The National Women’s Hall of Fame opens
In Seneca Falls, NY, the National Women’s Hall of Fame is determined to honor and give recognition to all that women have achieved throughout history.
1970
X-12, The Pioneer Feminist Art Exhibition opens
This exhibition was organized by 12 women artists and opened at a museum in New York City.
1970
Women Students and Artists for Black Art Liberation (WSABAL) is formed
This group was formed by Faith and Michele Ringgold around the issues of white supremacy and white-washing of the art world and academia.
1970
Sisterhood is Powerful: An Anthology of Writings from the Women’s Liberation Movement is published
Edited by Robin Morgan, this anthology is seen to be one of the first anthologies written focused on second-wave feminism work and is mainly conceived as a call-to-action.
1970
Sexual Politics published in U.S.
Kate Millet based this book on her Ph.D. dissertation and it examines the effect patriarchy has on sexual relations. She notably rejects theories from a lot of established male scholars and accepts the work of gay writer Jean Genet.
1970
Our Bodies, Ourselves: A Book By and For Women is published
Published by the Boston Women’s Health Book Collective is an extensive and radical text focusing on women’s health issues, gender, and sexuality. It discusses in depth abortion and reproductive rights as well as women’s masturbation, and was ground-breaking for its time.
1970
Ad Hoc Women Artists’ Committee is formed in New York
Founding members include Lucy Lippard and Faith Ringgold and they were specifically focused on raising awareness around the lack of women artists in the Whitney Museum’s Painting and Sculpture Annual. This group ultimately begins the Women’s Artist Registry, as well.
1970
The Feminist Press is founded
The press was critical in publishing works during second wave feminism and also published the journal Women’s Studies Quarterly. They aim to spark activist movements within society and they want to create a world where everyone can see themselves in a book.
1970
The Dialectic of Sex: The Case for Feminist Revolution
Written by Shulamith Firestone when she was just 25, it is praised today as a one of the classics in radical feminist literature, especially considering the time. Firestone argues that in order to rid society of sexism completely, culture and even nature must be reordered and examined. She didn’t just want to eradicate male privilege, but stop giving weight to genital differences and sex distinctions themselves.
February 27, 1970
Off Our Backs has first issue published
Off Our Backs is a feminist news journal that ran from 1970-2008.
April 18, 1971
26 Contemporary Women Artists exhibition is held
Organized by Lucy Lippard at the Aldrich Museum of Contemporary Art in Connecticut.
1970
The Female Eunuch is published
Written by Germaine Greer and published first in London, The Female Eunuch is centered around critiquing the nuclear family as repressing women’s sexuality.
1971
Institute for Research on Women (IRW) is founded at Douglass College, Rutgers University
The IRW has been a prominent leader in research on feminism and gender since its creation.
May 7, 1971
Everywoman Magazine publishes special issue about “Judy Chicago and the California Girls”
Everywoman magazine was known for covering what was happening in the feminist art world as well as feminist art education. “Judy Chicago and the California Girls” is a documentary made by Judith Dancoff about the feminist art movement in the 70s and was part of the focus in this special issue of the magazine. This issue also featured articles on “inner space” imagery by Judy Chicago, Miriam Shapiro, and Faith Wilding.
June 7, 1971
Women as Sex Object: Studies in Erotic Art, 1730-1970
Edited by Linda Nochlin and Thomas Hess, this anthology established that erotic art has been made by and for men, even though its subject matter is quite heavily women. Multiple different writers and scholars reimagine and analyze these works of art in a new light.
1971
LACWA protest
The Los Angeles Council of Women Artists (LACWA) protest and speak out against the omission of women artists from the Los Angeles County Museum of Art’s exhibition Art and Technology. The LACWA was a feminist art group that set a powerful precedent for similar groups that formed later on (like the Guerrila Girls).
1971
The Mary H. Dana Women Artists Series of exhibitions begin
Joan Snyder started these exhibitions at the Mabel Smith Douglass Library at Rutgers University and it is the longest-running, continuing exhibition program committed to showcasing women artists in America. Snyder was a painter who attended the all-female Douglass College, rose awareness around the fact that the studio art students had no female artists to look up to or inspire them. They were surrounded by an all-male faculty, as well as constant exhibitions of only male artists. She collaborated with the director of the Mabel Smith Douglass Library, Daisy Brightenback, to start this idea and it took off with great success.